2019: Books Read

Non-Fiction

Media and Technology

  1. Kai Fu Lee - AI Superpowers
  2. Meredith Broussard - Artificial Unintelligence
  3. Susan Crawford - Fiber
  4. Harold Ebelson, Gerald Jay Sussman and Julie Sussman - Structure and Interpretation of Computer Programs*
  5. Ken Kocienda - Creative Selection: Inside Apple's Design Process During the Golden Age of Steve Jobs
  6. Jonathan Taplin - Move Fast and Break Things: How Facebook, Google, and Amazon Cornered Culture and Undermined Democracy
  7. Pratik Sinha, Dr. Sumaiya Shaikh, Arjun Sidharth - India Misinformed: The True Story
  8. Nick Diakopoulos - Automating the News

Autobiographies, Biographies, and Memoirs

  1. Michelle Obama - Becoming (audio book)
  2. Nadia Murad - The Last Girl
  3. Leander Kahney - Tim Cook: The Genius Who Took Apple to the Next Level

Geopolitical | History and Current Affairs

  1. Ronan Farrow - War On Peace*
  2. Astra Taylor - Democracy May Not Exist, but We'll Miss It When It's Gone
  3. Ronan Farrow - Catch and Kill: Lies, Spies, and a Conspiracy to Protect Predators (audio)
  4. Anand Gopal - No Good Men Among the Living

General Non-Fiction

  1. Johann Hari - Lost Connections: Uncovering the Real Causes of Depression—and the Unexpected Solutions
  2. Melinda Gates - The Moment of Life: How Empowering Women Changes the World
  3. David Spiegelhalter - The Art of Statistics: Learning from Data

Fiction

  1. Gail Honeyman - Eleanor Oliphant is Perfectly Fine
  2. Lisa Halliday - Asymmetry
  3. Donna Tartt - The Secret History
  4. Elizabeth Strout - Olive Kitteridge
  5. Sally Rooney - Normal People
  6. Sally Rooney - Conversations with Friends
  7. Daphne Du Maurier - Rule Britannia
  8. Yaa Gyasi - Homegoing

Children's Books, Sci-Fi, and Fantasy

  1. Philip Pullman - La Belle Sauvage (Book of Dust 1)
  2. Cixin Liu - The Three-Body Problem (audio book)
  3. Cixin Liu - The Dark Forest
  4. Cixin Liu - Death's End
  5. Cressida Cowell - The Wizards of Once
  6. Cressida Cowell - The Wizards of Once: Twice Magic
  7. J.K. Rowling - The Tales of Beedle the Bard
  8. Patrick Ness - The Knife of Never Letting Go
  9. Patrick Ness - The Ask and the Answer
  10. Patrick Ness - Monsters of Men
  11. Philip Pullman - The Secret Commonwealth (Book of Dust 2) (audio book)
  12. Philip Pullman - Northern Lights (His Dark Materials 1) (audio book) (re-read)

Essays, Short Stories, and Novellas

  1. Neil Gaiman & Chris Riddell - Art Matters
  2. Stefan Zweig - Chess
  3. Edith Wharton - Roman Fever & Other Stories

*currently reading

Ken Kocienda - Creative Selection

Ken Kocienda writing about designing and developing the keyboard for the original iPhone:

As everyone on the Purple hallway used the software day in and day out, we made surprising discoveries about what the autocorrection dictionary should contain. We found we had to add a complete collection of hate speech to the dictionary and explicitly mark those words to prevent the software drom ever offering them as autocorrection—imagine trying to type "nugget" but narrowly mistyping the first vowel or the last consonant. We didn't want to offer racial epithets as a "helpful" aid, and we resolved that we would never provide software assistance for attempts to slur or demean.

Like everyone else, I never want to say "ducking" (once we've typed the expletive a couple of times, can the iPhone please remember it?), but it's worth noting that this was a concern before the first iPhone was even announced, let alone shipped.

Imagine if the folks over at YouTube or Facebook were that prescient, or spent focused on their threat model while designing their algorithms as opposed to scale at any cost.

2019: Wishful Reading List

Non-Fiction

Media/Tech

  1. Meredith Broussard - Artificial Unintelligence
  2. Marshall Phelps and David Kline - Burning The Ships
  3. Thomas H. Davenport - Only Humans Need Apply
  4. Neil Postman - Technopoly
  5. Yuval Noah Harari - 21 Lessons for the 21st Century
  6. Tim Wu - The Curse of Bigness: Antitrust in the New Gilded Age
  7. Ken Kocienda - Creative Selection
  8. Jon Ronson - So You've Been Publicly Shamed
  9. Hans Rosling - Factfulness
  10. Ed Catmull - Creativity, Inc.
  11. Matt Bai - All The Truth Is Out
  12. Peter Chippindale - Stick It Up Your Punter!
  13. Ken Auletta - Three Blind Mice
  14. Richard R. John - Network Nation
  15. Susan Crawford - Fiber
  16. An Xiao Mina - From Memes to Movements
  17. Arthur C. Clarke - Profiles of the Future
  18. Judea Pearl and Dana Mackenzie - The Book of Why
  19. Caroline Criado Perez - Invisible Women

Current Affairs/History

  1. Jeffrey Sachs - A New Foregin Policy
  2. Jill Lepore - These Truths
  3. Aleksandr Solzhenitsyn - The Gulag Archipelago
  4. Ta-Nehisi-Coates - Between the World and Me
  5. Charles C. Mann - The Wizard and the Prophet: Two Remarkable Scientists and Their Dueling Visions to Shape Tomorrow’s World
  6. Elizabeth Kolbert - The Sixth Extinction: An Unnatural History
  7. Julia Boyd - Travellers in the Third Reich
  8. Matthew Scully - Dominion
  9. Michael McFaul - From Cold War to Hot Peace
  10. Yuri Slezkine - The House of Government: A Saga of the Russian Revolution
  11. Matt Haig - Notes on a Nervous Planet

Non-Fiction Biographies/Memoirs

  1. Dava Sobel - Galileo's Daughter
  2. Jason Rezaian - Prisoner
  3. Anthony Bourdain - Kitchen Confidential

Other

  1. Nassim Nicholas Taleb - Fooled by Randomness
  2. Chris Hayes - Twilight of the Elites: America After Meritocracy

Fiction

  1. Donna Tartt - The Secret History
  2. David Foster Wallace - Infinite Jest*
  3. Thomas Pynchon - Gravity's Rainbow*
  4. Lisa Halliday - Asymmetry
  5. Mary McCarthy - The Group
  6. Louis-Ferdinand Céline - Journey To The End Of The Night
  7. Jean Genet - The Thief's Journal
  8. Nadine Gordimer - July's People
  9. Adam Johnson - The Orphan Master's Son
  10. Yu Miri - Tokyo Ueno Station
  11. Heather Morris - The Tattooist of Auschwitz

Sci-Fi and Fantasy

  1. Cixin Liu - Death's End
  2. Iain M. Banks - Use of Weapons
  3. Iain M. Banks - The Player of Games
  4. Iain M. Banks - Consider Phlebas
  5. Edgar Rice Burroughs - Pricess of Mars
  6. Ursula Kroeber Le Guin - The Left Hand of Darkness
  7. Frank Herbert - Dune
  8. Samuel R. Delany - Fall of the Towers trilogy
  9. Margaret Atwood - Lady Oracle
  10. Stanisław Lem - The Futurological Congress

Essays and Short Stories

  1. Niccoló Machiavelli - On Conspiracies (Penguin Great Ideas)
  2. Jean-Jacques Rousseau - The Social Contract (Penguin Great Ideas)
  3. George Orwell - Facing Unpleasant Facts
  4. Alice Munro - Dear Life
  5. David Foster Wallace - A Supposedly Fun Thing I'll Never Do Again
  6. Fred Brooks - The Mythical Man-Month
  7. Thomas Mann - Death in Venice and Other Stories
  8. Isaac Asimov - Franchise

*been on my reading list for about five years

2018: Books Read

Fiction

  1. Mohsin Hamid - Exit West
  2. Julian Barnes - The Only Story
  3. George Saunders - Lincoln in the Bardo
  4. Michael Chabon - Moonglow
  5. Neil Gaiman - Norse Mythology (audio book)
  6. Virginia Woolf - To The Lighthouse
  7. Tove Jansson - The Summer Book

Non-Fiction

  1. David Foenkinos - Charlotte
  2. Scott Anderson - Fractured Lands
  3. George Orwell - Homage to Catalonia
  4. Olivia Laing - The Lonely City
  5. Naom Chomsky - The Responsibility of Intellectuals
  6. Azar Nafisi - Reading Lolita in Tehran
  7. Frank Pasquale - The Black Box Society
  8. Franklin Foer - World Without Mind
  9. Lawrence Wright - God Save Texas
  10. John Carreyrou - Bad Blood
  11. Leander Kahney - Jony Ive
  12. Atul Gawande - Being Mortal
  13. David Kahneman - Thinking Fast and Slow
  14. Yuval Noah Harari - Homo Deus
  15. Antonio García Martínez - Chaos Monkeys
  16. Yochai Benkler, Robert Faris, Hal Roberts - Network Propaganda
  17. Swati Chaturvedi - I Am A Troll
  18. Steve Coll - The Deal of the Century
  19. Tara Westover - Educated (audio book)

Short Stories & Essays

  1. Gabriel García Márquez - Strange Pilgrims

Poetry/Music

  1. Florence Welch - Useless Magic (Lyrics and Poetry)

Philosopher vs. Sorcerer

Simon Brew writing for Mental Floss:

In Philip W. Errington's biography on Rowling, he wrote that Levine wanted “a title that said ‘magic’ more overtly to American readers." Levine was concerned that Philosopher's Stone would feel "arcane," so one of the proposed alternatives was Harry Potter and the School of Magic, which Rowling shot down. Eventually, the author suggested Sorcerer's Stone, and that's how the book is known in the U.S. market where Scholastic had the rights.

I am relieved it wasn't called Harry Potter and the School of Magic. However, I'm still partial to Philosopher's Stone, and it annoys me that the movie's called Sorcerer's Stone, and that in the U.S., they never reverted to the original title.

Source: http://mentalfloss.com/article/90924/why-d...

"President Obama on What Books Mean to Him"

The New York Times' chief book critic, Michiki Kakutani, interviewed Obama, and the entire transcript is here.

As a bibliophile, this is an enjoyable read. My favourite bit is probably this, with all its optimism:

Look, I don’t worry about the survival of the novel. We’re a storytelling species.

followed by:

I think that what one of the jobs of political leaders going forward is, is to tell a better story about what binds us together as a people. And America is unique in having to stitch together all these disparate elements — we’re not one race, we’re not one tribe, folks didn’t all arrive here at the same time.

What holds us together is an idea, and it’s a story about who we are and what’s important to us. And I want to make sure that we continue that.

Emma Watson's Reading List

Compiled from multiple sources, but by no means definitive. Her Feminist Book Club was the starting point for this list, and then a some online searching resulted in this. 

  1. Altschuler, Glenn C. - All Shook Up: How Rock'n'Roll Changed America

  2. Angelou, Maya - Mom And Me And Mom

  3. Angelou, Maya - Phenomenal Women

  4. Austen, Jane - Emma

  5. Blackman, Calorie - Noughts and Crosses

  6. Bauby, Jean-Dominique - The Diving Bell And The Butterfly

  7. Brontë, Charlotte - Jane Eyre

  8. Brownstein, Carrie - Hunger Makes Me A Modern Girl

  9. Cain, Susan - Quiet: The Power Of Introverts In A World That Can't Stop Talking

  10. Chbosky, Stephen - The Perks Of Being A Wallflower

  11. Chekov, Anton - The Three Sisters

  12. Clark, Colin - The Prince, The Showgirl, and Me

  13. Collins, Suzanne - The Hunger Games

  14. Dahl, Roald - The BFG

  15. Dellaria, Ava - Love Letters To The Dead

  16. de Saint-Exupéry, Antoine - The Little Prince

  17. Eggers, Dave - The Circle

  18. Emin, Tracey - Strangeland

  19. Foster, E.M. - A Room With A View

  20. Fowle, John - The Magus

  21. Frank, Anne - The Diary Of A Young Girl

  22. Gibran, Khalil - The Prophet

  23. Green, John - The Fault In Our Stars

  24. Gregory, Philippa - The Constant Princess

  25. Hesse, Hermann - Siddhartha

  26. Hooks, Bell - All About Love: New Visions

  27. Hooks, Bell - Feminism Is For Everybody: Passionate Politics

  28. Hosseini, Khaled - A Thousand Splendid Sons

  29. Hosseini, Khaled - The Kite Runner

  30. Ishiguro, Kazuo - The Remains Of The Day

  31. Johansen, Erika - The Queen Of The Tearling

  32. Joyce, James - Dubliners

  33. Keegan, Marina - The Opposite Of Loneliness

  34. Márquez, Gabriel García - One Hundred Years Of Solitude

  35. Maynard, Joyce - Was Salinger Too Pure For This World?

  36. Moran, Caitlin - How To Be A Woman

  37. Moran, Caitlin - Moranifesto

  38. Murakami, Haruki - Norwegian Wood

  39. Myers, Stephanie - Twilight

  40. Nabokov, Vladimir - Lolita

  41. Nelson, Maggie - The Argonauts

  42. Ovid - Metamorphoses

  43. Pullman, Philip - His Dark Materials

  44. Rand, Ayn - The Fountainhead

  45. Roosevelt, Theodore - The Man In The Arena

  46. Salinger, J.D. - The Catcher In The Rye

  47. Satrapi, Marjane - Persepolis

  48. Shakespeare, William - Hamlet

  49. Shakespeare, William - Romeo and Juliet

  50. Smith, Dodie - I Capture The Castle

  51. Smith, Patti - Just Kids

  52. Strayed, Cheryl - Tiny Beautiful Things

  53. Strayed, Cheryl - Torch

  54. Strayed, Cheryl - Wild

  55. Steinbeck, John - East Of Eden

  56. Steinem, Gloria - My Life On The Road

  57. Streatfield, Noel - Ballet Shoes

  58. Walker, Alice - The Colour Purple

  59. Williamson, Marianne - A Return To Love

  60. Zafón, Carlos Ruiz - The Angel's Game

  61. Zafón, Carlos Ruiz - The Shadow Of The Wind

Steve Jobs' Reading List

Compiled from multiple sources (...and books I'm likely to read): 

  1. Christensen, Clayton M. - The Innovator's Dilemma
  2. Dass, Ram - Be Here Now
  3. Grove, Andrew S. - Only The Paranoid Survive 
  4. James, Geoffrey - The Tao Of Programming
  5. Lappe, Frances Moore - Diet For A Small Planet
  6. Melville, Herman - Moby Dick
  7. Moore, Geoffrey A. - Inside The Tornado
  8. Orwell, George - 1984
  9. Rand, Ayn - Atlas Shrugged
  10. Shakespeare, William - King Lear
  11. Suzuki, Shunryu - Zen Mind, Beginner's Mind
  12. Thomas, Dylan - The Collected Poems
  13. Trungpa, Chögyam - Cutting Through Spiritual Materialism
  14. Yoganandya, Paramahansa - Autobiography Of A Yogi

J.K. Rowling - Harry Potter and the Cursed Child

I'm a self-confessed Potterhead. I've lost count of how many times I've read the books, heard the audio books (narrated by Stephen Fry), and even watched the movies despite hating them. I've been wary of Pottermore, and the stuff that's continuously churned out, but hey – more Harry Potter's a Good Thing, right? So, I went to the midnight launch yesterday (today?), and got the book, and obviously, the Decent Thing to do in that case is to finish the book straightaway. And, I did.

Note: spoilers ahead. Many spoilers ahead.

I was left confused and unimpressed. And no, this wasn't because it was written in a play format (more on that later).

The plot was easy. Uncreative. Almost like fan fiction, where you roll your eyes, but keep reading anyway, because hey – more Harry Potter.

Harry and Hermione hold high positions in the Ministry of Magic, and are still married to Ginny and Ron respectively. Their kids go to Hogwarts, as does Draco's son: Scorpius. Scorpius is widely believed to be the offspring of Voldemort himself, and hence, there's stigma against him.

Against all odds (or maybe not), Harry's son, Albus Severus Potter, gets sorted into Slytherin and befriends Scorpius, and the duo don't have any other friends. The other kids (Hermione and Ron's daughter: Rose, and Harry and Ginny's other two kids: James and Lily) don't make much of an appearance.

So, two kids are left to themselves (Scorpius because of the rumour about his parentage and Albus because he's not naturally talented or charismatic; he's called the "Slytherin Squib" early in his Hogwarts life). Further, as Albus doesn't really settle into Hogwarts life and has a massive inferiority complex, his relationship with his father is strained. In contrast, Draco and Scorpius are very close, and you can see Draco adopting the parent-of-the-year role, when he reaches out to Harry to quash rumours about his son's parentage or when he threatens Harry due to how events unfold. This Draco is almost likeable compared to Harry.

The years come and go, and somewhere in the middle of his Hogwarts life, he overhears his father talking to Amos Diggory (Cedric's father) about using a time-turner to go back in time to ensure that The Dark Lord didn't kill Cedric. Yes, even I thought that all the time-turners had been rendered useless in the Battle of the Department of Mysteries, but a new version had been created by Death Eaters, and confiscated by the Ministry.

And so, Albus decides that he must be the one that undoes Cedric's death, by getting the time-turner and going back in time. Scorpius and a new character, Delphi, join him on this adventure. At one point, there's that sense of deja vu, when they take Polyjuice potion to enter the Ministry. You can see where this is going: multiple alternate universes unfold, including one where Harry dies in the Battle of Hogwarts, Voldemort takes over, and Hermione is on the most-wanted list. All this because Neville was killed, and consequently, no one killed Nagini. At each point, the trio keep going back in time again to fix their previous mess.

For me, the plot seems absurd: would an untalented wizard who couldn't even pull off the Expelliarmus spell really go back in time to change history? Or, was he just that foolish and naive? Perhaps I'm being harsh? Maybe he just thought that those are the lengths a son will go through to gain acceptance from his father: the famous, never-wrong, always-courageous Harry Potter?

Harry and Albus are both quite unlikeable in this book.

Harry strongarms Professor McGonagall (who's still a great character) into spying on his son using the Maraduer's Map to ensure that Scorpius and Albus don't hang out. His rationale: Bain, the centaur, told him a dark cloud was looming over his son, and he assumes that it has to be Scorpius. For me, that goes against everything the first seven books taught Harry: that look beneath the surface. It's hard to believe that after everything – after Snape – he still jumps to conclusions. And, that Ginny doesn't have enough influence to change his mind. Maybe being a protective father means that you can't see clearly when it comes to your own son, and hence make rash decisions and are downright obnoxious to professors like McGonagall?

Albus, on the other hand, well: you can see why the Sorting House put him in Slytherin: ambition. At least he doesn't turn out to be evil?

Scorpius, on the other hand, is a pretty good character: the anti-Draco if you will (but for one of the alternate universes where he's called The Scorpion King). He's faithful, nerdy (like Hermione), and courageous. Here, I'm admittedly nitpicking, but wouldn't it be really nice if he had Neville's "will stand up to friends" attitude?

The book, winding through multiple alternate realities, is more a testament to how perfectly the events unfolded in the original series. It goes to show that it was the only way in which a happy ending could have occurred.

But, creating time-turners again, to just keep going back in time, as the main premise is weak and unimaginative. And, the way the ending unfolds, is incredibly disappointing, if I compare it to the original series of seven.

Here's the problem: this is written as a play, which means that a lot of the detailed, descriptive and imaginative writing has to be forfeited, and new concepts (or magic) cannot be introduced. And, hence, the plot feels dumbed down. But even so, think back to the Philosopher's Stone – the first book, the leanest book. The ending was so vivid, and definitely not dumb: the chess game, the flying keys, the three-headed dog.

Also, a lot of the typical favorites get what seems to be an obligatory nod: Dumbledore, Snape, Petunia. But, what about Ron and Ginny's other siblings: nothing about George? And, nothing about why Ron is running the Weasley's Wizarding Wheezes? Not even a mention? And, nothing about Tonks and Lupin's kid? No house elves? And no Trelawney (although there's another prophecy? But where does this prophecy come from? Or rather, from whom?).

Again, I appreciate that it's a play so it needs to be simplified, but, in my opinion, this is just capitalizing on the Harry Potter brand, without giving the fans a story that is worth resuscitating the brand for.

And, as a Potterhead, that disappoints me.

"Nabokov's America" from The New Yorker

In The New Yorker, John Colapinto writes about Nabokov coming to America, and how important that was to the classic, Lolita.

“Lolita” was not, however, Nabokov’s first attempt to write a story about a pedophile who, enamored of a particular twelve-year-old girl, marries her mother to be closer to his love object—and who finds the girl in his clutches after the mother’s untimely death. His first attempt, a short novella called “The Enchanter,” was written in Russian shortly before his move to America. That novella, published posthumously, in 1986, by Vera and Dmitri Nabokov, shows just how important the atmosphere of America was to making “Lolita” the great work it is. Where “The Enchanter” is curiously dour, featureless, and vague, “Lolita” is a great, rollicking encyclopedia teeming with specific details of Nabokov’s adoptive country, sweeping into its embrace the entire American geography, from East to West, North to South, in Humbert’s zig-zagging car journeys with his under-aged sex slave (journeys that follow the same route as the decidedly more sedate butterfly-hunting trips that Nabokov made each summer with his wife).

'Til date, I've not been able to get past the first fifty pages of the classic, but, it's definitely not dour, featureless or vague. The writing is, dare I say, perfect.

The content, on the other hand, makes my stomach churn.

Betty Smith – A Tree Grows In Brooklyn

Oh, where do I begin? Remember Cassandra from I Capture The Castle? She is one of my favourite narrators and I believe you'd be hard pressed to find a character as charming as her. Betty Smith's Francie comes close. She doesn't have the pleasure of living in a dilapidated-yet-romantic castle as Cassandra did – instead, she's over the sea and far away in the Williamsburg slums of Brooklyn from 1912-1919. At the outset, Francie is eleven years old and she's a reader. That's all I need to get that instant connection to a protagonist.

Francie thought that all the books in the world were in that library and she had a plan about reading all the books in the world. She was reading a book a day in alphabetical order and not skipping the dry ones.

She lives with her parents and her younger brother, and despite being a family of slender means, they are cheerful and grateful. Her mother, Katie, desperately wants a better future for her children, and she leans heavily on the two pieces of advice her own mother gives her: ensure that her children are educated ("Everyday you must read one page of some good book to your child.") and save every penny possible in order to purchase land which can be handed down to the children. In addition, this piece of advice from Katie's mother – a first generation immigrant –  is priceless as she insists that the children must believe in ghosts, fairies, and Santa:

"[T]he child must have a valuable thing called imagination. The child must have a secret world in which live things that never were. It is necessary that she believe. She must start out by believing things not of this  world. Then when the world becomes too ugly for living in, the child can reach back and live in her imagination." 

However, while Katie tries her level best to ensure a better life for her kids, her husband – a happy-go-lucky drunk – is a singing waiter whose priorities differ from Katie's. He's the good cop to Katie's bad cop, as he looks out for their feelings and tries to ensure they're happy. For example, while Katie's focused on ensuring her children get educated at the local school where they're treated like second class citizens, he acknowledges Francie's desire to go to a school slightly further away where the quality of education is superior and makes it happen much to Francie's delight.

It's such incidents that make the book a treat. There's heartbreak, grief, and loss, but still, there's always a light shining at the end of the tunnel – a glimmer of hope, if you will. No matter how dire circumstances get, Francie and Katie do their level best to not get completely down and out. It's almost like Pope addresses them in his poem:

Hope springs eternal in the human breast, Man never is but always to be blessed. 

However, there are parts of the book that are bleak and  reflective of the times. One of their neighbours – a young, attractive woman with a child, sans a husband – is mocked relentlessly by her neighbours for having the gall to take her child out during the day. Yes, it's rage-inducing, but then one has to remember that this was a century ago – and, sadly, there are parts of the world today where this is still the case.

Or, how Francie is the one who has to temporarily drop out of school to earn money while her younger brother carries on studying, despite she being the one more academically inclined and he being more than willing to take up a job.

But – I digress.

You'll be hard pressed to find a more likeable child in fiction, and you'll be glad that you embarked on her journey with her as she finds her feet in the world and figures out the best course of action no matter what the situation.

Donna Tartt - The Goldfinch

880 pages. All consumed on the beaches of Ko Samui, greedily, and when the book ended, I was sad. After all, wasn't it Jane Austen who said, "If a book is well written, I always find it too short." So, I guess that makes Donna Tartt's Pulitzer winning novel "too short."

The book is titled after the famous Dutch painting by Carel Fabritius – which exists – and yet, the tale is fictional. If you're curious, the painting is displayed at Mauritshuis in The Hague, Netherlands. However, it takes a fictitious life of its own here – a journey so action-packed and unbelievable that it's almost plausible.

The opening line of the book draws you in, reminiscent of Daphne Du Maurier's Rebecca

“While I was still in Amsterdam, I dreamed about my mother for the first time in years.”

An adult Theo Decker reflects on the series of unfortunate, coincidental events that have led him to the hotel room in Amsterdam. Early in his reminiscences, he concedes that "Things would have turned out better if she had lived," and then the raconteur tells us about how his mother died: a terrorist attack at the Metropolitan Museum of Art in New York when he was thirteen. The pair had entered the museum together to take shelter from the inclement weather, and had split up in the museum. Theo was captivated by a young girl who was visiting the museum with her grandfather, and decided to follow them while his mother wanted one final look at one of her favourite paintings which she hadn't managed to see up close.

When the explosives hit, the grandfather lay bleeding but encouraged Theo to take The Goldfinch and run. He also handed over his heavy gold ring to the teenager, who, in all his naiveté, took both home not considering the ramifications. As he drifted through his adolescence, the painting became his cross to bear – a cross he bore alone. After all, there was no one he could turn to – he did consider his options but disregarded each for different reasons.

After his mother's passing, he ended up living with one of his friends who had rich parents and lived in a rococo apartment in Park Lane. He found what can only be termed "the old curiosity shop" – the antique store run by the old man who gave him the ring and his business partner, Hobie. There, he discovered that the young girl that had captured his attention lay recovering and that her grandfather hadn't survived the attack. He befriended both, and gradually dealt with his grief, almost forgetting the painting that still lay at his old apartment.

However, when his father and the father's girlfriend finally make an appearance to whisk Theo to Las Vegas just as he's settled into life in New York without his mother, he grapples with the dilemma of the oil painting – which makes the trip with him, wrapped in newspapers. I just sensed an entire group or artists, curators, and art restorers cringe at the thought. His existence in Vegas veers towards surreal – even by Vegas standards. In school, he's an outsider and as outsiders are prone to do, he befriends the one other outsider: the worldly Boris.

It occurred to me that despite his faults, which were numerous and spectacular, the reason I’d liked Boris and felt happy around him from almost the moment I’d met him was that he was never afraid. You didn’t meet many people who moved freely through the world with such a vigorous contempt for it and at the same time such oddball and unthwartable faith in what, in childhood, he had liked to call “the Planet of Earth.”

As his father racks up gambling debts and the girlfriend indulges her junkie habits of snorting coke and popping pills, Theo is left to his own devices, which results in Boris and him drinking, experimenting with drugs, eating copious amounts of pizza, and talking about anything and everything – as drunken, neglected, philosophising teenagers who don't know better do.

Well - think about this. What if all your actions and choices, good or bad, made no difference to God? What if the pattern is pre-set? No no - hang on - this is a question worth struggling with. What if our badness and mistakes are the very thing that set our fate and bring us round to good? What if, for some of us, we can't get there any other way?

It is this friendship and the stolen painting that sets the tone of the rest of the narrative, and eventually leads Theo to Fabritius's country – all for the sake of the goldfinch; the painting almost being allegorical to Theo's situation: a bird that's chained and can't fly away, can't be free. And, one can hardly blame the bird. Likewise, one can hardly blame Theo.

That said, as an adult reading this book, I audibly protested as some events took place, urging Theo not to make the choices he did; there was no way some of those choices would end well. To be fair, Theo probably made a lot of those choices against his better judgement, but by that point, it's too late.

So what makes this novel remarkable? Theo, I think. Yes, he's flawed, but the candidness of the narrative makes him extremely likeable. Without making lame excuses, one can sympathise with his situation – how do you expect a child, orphaned for all practical purposes, do the right thing while he remains unsure as to the consequences? And, who's trying to figure out who he is.

A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are.

Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart."

Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?”